Hello, and welcome to Estudio Billboard! Today, we have the music arranger, composer, pianist, guitar player and singer, Aleks Syntek, with us. He’ll play some of his hits for us and will tell us about the stories behind them. Also, we’ll learn what he did to capture a woman’s heart…here, on Estudio Billboard.
Welcome to Estudio Billboard. Please give it up for our guest today, Aleks Syntek.
Thank you so much.
Thank you, Leyla.
Oh, Aleks! It’s a privilege to have you here today. I understand that you have a two-week old baby.
That’s right. My second child…He’s two and a half weeks old. He’s so tiny right now and requires a lot of attention, but I can still leave for a bit so that I can be here with you today.
Go have a drink and that kind of stuff? I mean…Your wife is not too fond of me right now because you should be changing a diaper at this very moment?
Oh, well… She has a lot of people helping her…her mom, her grandmother. Everybody is devoted to the baby, and he’s the current family attraction, so…
His name is Matias, a little boy, and he has a sister. What does she say? Or is she unaware that she has a brother just yet?
She’s a bit jealous like every child would be. You know? She needs to go through that…but that’s good for her. I think it’s great for her not to be the center of attention because she’s always been, like, the center of the galaxy. So, this is the best opportunity for her to come down to earth.
You’re one of those parents that is always there, changing diapers and feeding the babies? Or are you more like the ones who say, “Darling, the baby is crying.”
I’m involved completely. I know that many fathers say, “I’ll do everything but change diapers.” Right? However, I found a new way of using the paliacates. I’m not sure if you know what those are…
Tell me what they are. Me, being Colombian, I have no idea…
It’s like… How can I say this?...like, a Mexican handkerchief. You use them to go camping in Boy Scouts. Understand? So, I’m using them right now like robbers would. I don’t have any problems with the smell. I cover my face and change the diaper so I don’t get nauseous and all that. You have to be creative. Right?
I love it! It’s something I don’t want to miss. That’s the best way to show your kids how much you love them. Being there, in situations like that… changing a diaper…something real…and writing songs for them as well.
You write songs for them? You’re currently recording a new album. When do you write songs?
Well, I try to be organized. I’ve got my own studio at home. So, with the previous album, Lección de Vuelo…when Natalia was a little baby… I would go upstairs to change her diapers or to feed her…help my wife and then go back to the studio to keep playing the piano. That’s the advantage of having the studio there. I also think this closeness to your family, and the love you feel, is the right inspiration for composing.
When we come back, I would like you to talk about the new record… because I know there’s a new record. Please don’t go anywhere. We’ll be back with more of Aleks Syntek and his new album…here, on Estudio Billboard.
We’re back on Estudio Billboard. We’re back with our guest today…the pianist, composer, music arranger…What else? Aleks Syntek. What else? A father…
Father now, too. Yes.
The truth is that I’m so happy. I’m so dedicated to music because I’ve never felt I was good at anything else. I was very bad at math, physics and sports. I was never that great of an athlete, to be honest.
But, you look like a computer geek. You know? I was about to tell you that.
Well, I’m a dreamer. The computer helps your imagination fly. But I can’t program a computer. I know how to use them and how to make music with them. That’s how I started making music on my own. I’ve never taken a music lesson. You know? I can read notes, but I don’t use them. I’d rather be free.
How do you compose… on the piano? You not only play the piano, you play guitar and bass as well. Right?
Yes, a little bit… but the piano is the main instrument. Anything else, I play just enough to have fun with.
How do you compose, Aleks? Do you sit in front of the piano or in your studio? Do you write the lyrics first?... The music? How does it work?
Usually, I do it two different ways. The one I use the most is to start with a beat and then put it on the computer…a loop, some drums…Then I start creating some harmony… then finish with a melody. I add the lyrics at the end, depending on how the melody makes me feel.
Sometimes, I start with the piano. When composing a ballad, I start with the piano, and then I add other instruments. But, I usually start with the melody, you see.
That’s interesting. Was it the same with your first albums?
Absolutely…even more so than today. I have songs like, “Te Soñé” or “Intocable”, which I composed on the piano and with voice only. Back then, I would do everything using the computer.
Even when you were in the band?
Yes, because the music we made wasn’t so slow. There were fewer ballads… more of a funky music kind of thing. I was more of a rocker with my band. When I went solo… I started like…I realized with “Sexo, Pudor y Lágrimas” that people loved my ballads.
I have a rocker soul, and I’m a huge fan of Elvis Costelo and Joe Jackson, so…
You have Elvis Costelo’s glasses.
Yes…And Billy Joel and Elton John, all those rock pianists. They have all been successful with either a rock song or a ballad. So, I feel that I can relate to them somehow.
Do you remember the first song you wrote? Not the times you might have been fooling around, but the first time you wrote an actual song and you said, like, “Wow! I’ve got a song!”
Yeah, totally! In fact…It’s funny because it’s a very simple song, but the melody moves so much that the song sounds so different all the time. I wrote it for a girlfriend I had. I was 15 back then…I’m talking about mid 80s. I included it on my first album because it was a big deal to me…the first time I had a song. I thought that was a song for the world to hear.
Would you play a bit of that song for us? Which song is it?
Of course. It’s called, “Una Pequeña Parte de Ti”.
“Una Pequeña Parte de Ti”.
The best thing about it is that it was never a single. It was never played on the radio, and still people know that song. They ask me to play it a lot. I love that.
So…Do you want to play a bit of “Una Pequeña Parte de Ti”?
I go over here? Right?
Yes, and I will cheer from here.
Great.
Back then, there was this pianist from The United States, Bruce Hornsby… I liked him a lot. He played…
Quite famous…that song by Bruce Hornsby, and I really liked his style. So, I wanted to make a song inspired by it. That’s how we got “Una Pequeña Parte de Ti”.
Me basta mirar tu sonrisa tan cerca de mí, quisiera estar contigo toda la eternidad.
Me basta decir que nunca te dejaré, te busqué tanto pero al fin te encontré.
No te quisiera perder jamás, uo, uo, uo, uo.
Me lo haces saber que sólo tú puedes llenar toda mi vida con una palabra nada más, con una caricia nada más.
Me basta una pequeña parte de ti para ser el hombre más feliz, tan sólo con tenerte aquí junto a mí puedo sentir amor tan sólo así, tan sólo así, tan sólo así, tan sólo así.
Bravo! How nice.
Beautiful.
Now that I saw you over there…I noticed your jacket, and it looks English.
Yes…
Is it English?
I have no idea. I bought it in The United States, in Los Angeles…if I remember correctly…Just when I’ve chosen special clothes for my shows… There’s one suit that became famous. It was full of sparkling crystals, and it was disco style. That was when I released “Tu Necesitas,” a song with a vibe from the 70s…influenced by the Bee Gees and Earth Wind and Fire, and those bands I used to love. I used to listen to them when I was a kid.
But whenever I dress like this, I just go into a store and just go for what I like. I don’t spend 3 hours there. I just go in, choose something I like and leave.
No stylists or anything like that?
Yes, but since I know what I like…I know what looks good on me or I think I know. I like the punkish style…elegant, like my idols… like they used to dress back in the 80s…Glam Punks.
And, hey! Watching you play piano…Sing that song you wrote when you were 15… You started acting. When did you say, “No, I want to be a musician” or was it like that from the start, and it became a reality later?
Yes. That’s funny because I had the chance to be in a show that everybody in the Latin world had the chance to watch called “Chiquilladas”. It was quite successful at the time. I never planned to be an actor, I was a kid pretending to be an actor, I was like 10, 11. Understand?
How did you get selected for the show? Did your parents take you to a casting or what?
Actually, yes. It was, like, meant to be. It was more thanks to the mother of one of my school friends. She worked within that area, and she was the one telling my mother that I had talent and that she should take me to a casting…or whatever.
He’s so cute and funny, and we want to see him on TV.
I was very naughty. I used to be in the principal’s office all the time because I used to be the one causing havoc in the classroom. I started with music when I was 6 years old. And even before then, I used to play guitar, creating my own stuff. I started playing piano when I was 10…but for music I needed to be grown up. acting was more like a game, and I never considered being a professional actor. I knew I always wanted to be a musician…ever since I was a little kid.
So, you had a clear vision. Did you have your parents’ support or was there any disagreement?
No, I was very fortunate that my parents loved music. No one tried to do it professionally though. My father is a lawyer. One of my brothers is a chemist, and the other is a lawyer as well. I’m the only one in the family who went into music. They have always loved the fact that I decided to do it. My father told me, “As long as you’re sure this is what you want to do, I’ll support you all the way. Okay?” I was very lucky indeed.
Well…Now that you have your own kids…Let’s wait and see if one of them decides to be a musician, too. We’ll keep talking after this break. We’ll be back with Aleks Syntek…here, on Estudio Billboard.
We’re back again. Aleks, we were talking about when you started composing, and you wrote that first song when you were 15. But, what about the time when you played your music in front of an audience…even if it was just your mother…when you saw their reaction and thought, “Wow, I can move people with my music.”
There was this one time…and I remember it as if it was a dream…My mom remembers it much better because she was quite surprised. We were in the Dominican Republic, in Santo Domingo. I went there with the boys from “Chiquilladas,” and we were going to make a presentation over there. We used to make comedy sketches of the show live. There was a jazz trio at the hotel, acoustic bass, piano and drums…three Dominicans. I walked up to them. I was like 11, 12, and I asked them to let me play with them. They were somehow surprised…“Where did you come from?” I sat in front of the piano, and I started to play some jazz. You know?...some blues…and they suddenly joined me. Suddenly, there were many people in the lobby. When I turned around, there were like 25 people there, like, “Hey!” and “What’s with this little boy?” My mom tells me that she was very surprised when she saw all that people, and she came over. She almost had a heart attack when she saw what was going on because I had never taken any piano lessons. What I played that day was because I used to practice on my aunt’s piano. She would loan it to me. I used to go to her house in the afternoons to chill out.
That’s how you got your first piano?
Yes. Well, I used to have a guitar, and I started playing it when I was 6 or so. It was a later when I decided that I was more of a pianist than a guitar player.
You have worked with many people. Duets are in right now, but you have been doing it for years already…almost since your first record. Why is that?
Well, my school of music has been more like…going ahead with it and just making music. You know? I’ve met a lot of people at the recording studio, and I’ve learned a lot from many musicians, producers. It’s been more than a classroom to me. Also, when you spend some time with another artist, writing songs or making a duet, you learn something new from them as well. You know? It doesn’t matter if they are younger or if they are less experienced…You always learn something. That’s why working with other artists has always been important to me. It’s also exciting to combine what I have in my head with everyone’s ideas.
You asked Ray Manzarek from The Doors to be on your album. That was when you were just getting started. How did you manage to convince him?
Back then, I made a soundtrack for a series called “Leyendas del Mexico Antiguo”. The director had studied at UCLA. It was some sort of degree in cinema with Ray Manzarek. When this director showed Manzarek what he had done, and he heard the music, which was sort of a Pre-Hispanic, Mexican melody with synthesizers and other instruments, he was quite surprised. So, he said to the director, “Tell that guy that I really love the music he made.” When he told me, “Hey, Ray Manzarek says your…!”…“Tell Manzarek that I want him to play on my new album!”
He was just so nice, so humble. I remember he arrived at the studio…We were in Burbank, in Los Angeles, and he came there alone, in his Mini Cooper, just like any other person.
And you were like, “Are you Ray Manzarek, for real?”
Yes, I met him that day, and I couldn’t stop drooling. I mean… He also taught me a valuable lesson. Understand? I learned that if the most talented person is not a show off… and he was just so nice to us, and it was a pleasure to have him on the record. You know? A privilege.
Now, for your record of 20 years in the business… I can’t believe it…20 years as a career. It’s unbelievable.
Anyway, you’ve got Kylie Minogue, which was a pleasure for you, as you told me before. How did you do it? You just decided you wanted her to be on your new record?
It was just by chance. Kylie is really big in Europe, but in Latin America her audience is a bit more select. So, the record label wanted her to record with a Latin artist to give her more popularity. Understand? …not because Kylie isn’t popular, but by playing with a Latin artist, she can do better. I was the lucky one. It would have been great if it had been with one of my songs, but I also felt honored that Kylie let me sing her song and also add some bits to it, you know? Ad lib... Kylie is more of an electronic, pop artist… that I really like. She’s one of my favorite divas.
I guess Ana Torroja is one of your favorite divas as well.
Totally.
That song, “Duele el Amor,” which was a hit worldwide… Do you consider that song set a before and an after for your career?
Yes, well… I believe it happened more with “Sexo, pudor y lágrimas” because of the circumstances, but “Duele el amor” was no doubt a turning point for my international career. It was not only played in Spain, Argentina and many Spanish speaking countries, but also in Germany, Italy and even Japan, where I heard a remix when I went there. Without having a wide international appeal, it started to be heard in many places.
What is the story behind that song?
I’ll tell you very quickly. I had never met Ana in person. However, I am a true Mecano fan. I have always been a fan of Ana’s voice because it is so velvety. One day, I ran into Ana at a radio festival where we were going to sing. We happened to be staying at the same hotel. I acted as if I were a fan. I came close to her, and I told her, “Ana, I love your music… the things you do. I would give anything to sing with you.” She stared at me, and she said to me, “You are Aleks Syntek.” I replied, “Yes, Ana.” She said, “Look…Write a song and send it to me. If it is nice, we can record it together.” She gave me her address. I think I got so inspired, so excited, that the next day I spent the whole afternoon writing “Duele el amor”. I was inspired thinking that the song would have Ana’s voice. I would sing the lowest tones, and she would sing the highest ones. It was indeed a song I wrote while thinking of Ana…and luckily it came out very well. And obviously, Ana liked it.
Would you play some of “Duele el amor” for us?... before we go to the commercial break?
Yes, perfect.
Really?
Just a little bit.
Siento la humedad en mí de verte llorar, ni hablar. Si es que tú te vas de aquí creo que a mí me da sufrir. Duele el amor si ti, duele hasta mojar, duele el amor sin ti, duele hasta matar, duele el amor sin ti, todo está tan gris. Todo está tan gris.
Good.
It was just a little bit.
Just a little bit. Perfect.
We’ll be back with more of Aleks Syntek.
Bravo!
We’ll continue talking to Aleks Syntek. You’ve just played “Duele el amor”… such a great hit and…
I only played a small part because it is not the same without Ana.
Well, without Ana… What do you do when you are in a concert and Ana is not there?
I bring along a very talented girl named Gaby Vega who plays the bass She sings the parts Ana is originally in charge of. Another girl named Gina Recamier sings Kylie Minogue’s parts, and so on. I dream about having a band composed of women only. I have not managed to do it yet, but I am getting there. In my band, women are in charge of the bass and the guitar. I still need a female drummer and keyboard player.
Go figure. What does your wife say about that?
…That I’m acting like I was Robert Palmer.
Hey! That was my all time favorite video!
Really?
Yes. You saw Robert Palmer, and you said, “That is what I want to do.”
Sure. That is any rock performer or musician’s dream.
Now that we have heard the big hit “Duele el amor,” I want to know what a good song is for you?
I believe that a good song is one that gets to your heart without having too much sophistication or too many elements or too much baroque stuff. But sometimes the simplest things are the most complicated. David Bowie said so… I did not come up with that. For example, when I write a song such as “Duele el amor”, I try to do something simple, without too many chords. While doing that, I would listen to it over and over again, and I would not get tired. Not getting tired or bored after listening again and again to the same song means it is friendly and nice and it is a symptom that it can be very influential.
You have said that you make good pop music, but on the other hand you can be called “a musician’s musician”. You are considered to be a very sophisticated and serious performer. How do you find a balance between being a good musician and writing easy listening pop music? Is it hard to achieve that balance?
It is difficult. I have always tried to find the perfect middle line to please a sophisticated, critical and demanding audience, but also to get to the popular radio stations and to be heard by the audience that only wants to have a good time.
All right.
I believe I have learned that from my idols, Elton John and Billy Joel, who know how to mix both things. That is my dream. I want to find a spot there. Something I am thankful for is seeing all types of audiences at my concerts. Mothers, as well as 5 or 6 year olds are there…and you can also see tattoo-covered rock fans as well as very conservative girls. Music is for everyone, and that is the nicest thing.
Who has been the most influential person in your musical career? Is there a person who you could point at and say, “I owe so many things to this person or this person has been so influential that I am going this way because of him or her”?
I believe it was my father, may he rest in peace. Even though he was not a musician, he insisted I should listen to good music. He made me listen to classical music ever since I was a child. I listened to great bands such as Benny Goodman, Glenn Miller and Dave Brubeck thanks to him. He also played Pepe Arévalo for me, as well as Pérez Prado, Agustín Lara and Manzanero. That formed a rich musical background for me without having the need to attend music school.
He was a true music lover.
He was a complete music lover.
Now, changing completely our topic: you have supported many causes. I have seen you playing everywhere. I know you are part of “Alas” and also part of “Vive México”.
I am.
Can you tell us what that is about, and what you are doing there?
I want to begin by saying that I wish I could be in as many places as possible, simultaneously. As a public person, I believe that is a must. It is not because I want to be seen as a hero or as a philanthropist. I believe it is an obligation because the public gives us so much. This career is beautiful. Nobody gets as much support for doing a good job, so I think we owe it all to the audience. We must give some of that back, so I support different causes as much as I can. It is very sad to see that there are many needs nowadays, so I get about twenty offers to support different causes. I try to support the most important things. “Vive México” was very important because it was a request from the President of Mexico, Felipe Calderon. Beyond political affairs and ideologies, we are supporting the fact that our country was stricken by an invisible catastrophe that is even worse than a tsunami or an earthquake. That can be solved by investors who can rebuild a city. But a virus stricken country is…
Let us remind the audience you are talking about the swine flu.
Exactly. I think this issue was not well handled and people do not want to come to Mexico now. The artists are trying to tell everyone that we have the world’s most beautiful beaches… that they are missing out on them. The issue is under control. There is nothing wrong so tourists should come back and continue enjoying our country.
Something that catches my attention is that you say that you do it because it is an obligation. Not everyone thinks like that. Also, you have talked about giving things back to your fans. In fact, the other day I was surfing YouTube, and I found your channel and your name there, so…
The name is Aleks Real Syntek.
In the comments under the video somebody wrote “Aleks Real Syntek is actually Aleks Syntek”. Some people were wondering if that is true.
That is why I wrote “real”. In my first video, I was wearing pajamas. I was holding a spatula, and I was about to make scrambled eggs in my kitchen at home. That idea was inspired by a British girl named Imogen Heap, who I admire a lot. She has a channel in England where she is in contact with her fans, and I decided I would do the same. I started to open the door to a more intimate, personal world of mine. I show fans how I write a song, and I even tell them jokes. People did not expect that part of me. Now I can show it…thanks to the Internet…without being in an interview or on television.
Aren’t you afraid of being so easily approachable?
I have often heard that rock musicians are unreachable and even that the audience likes to be mistreated in order to continue admiring their favorite artist. Well, that’s not my case. I think it is possible to be everyone’s friend and to get along well with everyone. Perhaps in a few years, I will become Tío Gamboín. I don’t know. I try to answer every letter I get. Sometimes people write to me saying, “Aleks… My wife left me. What should I do?”
Obviously, there are some good and bad comments. Once, you made a video as a reply to some of them.
Yes. Some people are too aggressive. I am concerned about that with young people, and I think they just want to be listened to. Many people tell me, “Don’t pay attention to them. The ones who write negative things are crazy.” I say, “No. Here I am, and I will listen to you. What is the matter?” Then they tell me, “I don’t like this.” I answered, with my opinion, in the form of a well intentioned video because I believe people should not be so radical. Sometimes, there is a lot of arguing on the Internet because some people defend me and some others are against me. In the end, that is fun.
All of that happens anonymously; except for the fact that we know Aleks Real Syntek is you.
I think facing the situation is important. It is not necessary to hide yourself in order to give your opinion. I believe making your point is valid.
Aleks…You are obviously using technology to promote yourself and your music. How have you changed your perception about the music business now that sales are lower? How are you facing the business, which is different from twenty years ago?
I think this is an amazing time because you have to be smart and resourceful. There is much more competition now. There is an over abundance of artists today, thanks to the Internet and the independent labels that have arisen due to the crisis of the recording industry. Also, there are TV shows where people who have never dreamed of being famous suddenly become very popular. I think that people’s inventiveness can be seen there. Besides that, there is musical democracy now. We were used to listening to whatever the radio stations played for us. Today, people vote for what they want to listen to, so I think there is more democracy.
We’ll continue talking to Aleks Syntek when we return to Estudio Billboard.
Yes, I love logging in to YouTube and reading the comments.
We continue with Aleks Syntek…
Aleks… We haven’t talked about the new record. It is coming out this year. Tell us about it.
I think it will be released in Mexico, in October. I hope it is simultaneously released in other countries, but sometimes it takes one or two additional months.
Does it have a name yet?
Not yet… I have always tried to propose new things for the names of my records. I believe I am a “light” artist in that sense.
A light world…
Yes. I have songs that are sometimes a little bit noisier or more aggressive. But even if I am sometimes aggressive, I still try to be kind in what I do. I am someone who smiles 80% of the time. I frown only 20% of the time, especially now that I have a baby. I like to write about fun things.
And positive things.
Positive, of course… And about romance every now and then… Or even about heartbreak sometimes, because the lack of love also exists so a realization process is necessary there. Songs such as “Duele el amor” and “Intocable” are about heartbreak.
On this album, you also have a special, unexpected song that you told me about.
Sure. Well, one of the people that I love the most is my grandma, Amalia. Everyone uses to call her La Chatita. She turned 100 this year.
100!
And she looks amazing… She is always on the move, and she likes to rock and roll. I decided to write a song for her, and it will be on the new album. The song talks about her relationship with my grandfather, who was a bull fighter. I love the fact that they were together until my grandfather died. They were very close to each other so…
Does she know you wrote a song for her?
Yes, I sang it to her, and she cried.
That is so sweet. We are going to save that song for next time.
Yes. It will be a surprise that you will hear on the record. Songs that you dedicate to someone in your life are always emotional, you know? …Your son, your daughter, your wife… For example, I dedicated “Te soñé” to my wife.
I did not know that.
Yes. We had been married for five years, and I told her, “You know what? We have to keep the flame of love alive. I am going to write you a song that talks about the wonderful experience of waking up next to you every morning and seeing that you are there”.
So sweet.
That is what “Te soñé” talks about.
What a lucky wife.
Well, she is a great woman. I love her.
We are getting to the part of the show where you will have to answer the Estudio Billboard questionnaire. There are twenty questions.
Good.
You have to answer quickly. Do not think too much.
Ok.
Ok?
I will try.
Do not analyze them. Answer them in a row. Ready?
…All right.
Your perfect night?
Dreaming and rest.
Really?
The thing is… I suffer from insomnia.
Do you sleep with or without pajamas?
I sleep in underwear.
Scarlett Johansson or Penelope Cruz?
I love Scarlett Johansson.
What makes you cry?
That someone I love gets hurt.
What do you spend the most money on?
Music, records, movies and video games.
What would you change about yourself, if you could?
My twitches…continuously closing my eyes and… I am a little nervous.
Your worst concert?
Once in Colombia, the stage broke, and I fell through a hole. Unlike Juan Gabriel, nobody noticed.
Your best virtue?
I forgive easily and quickly.
Something you always carry with you?
I always have my laptop with me. I carry it everywhere.
What do you do before going on stage?
I do vocalization exercises and… How do you call that when football teams huddle together? I team huddle with my musicians, just to…
Like an energy circle…
We shout out a cry of energy to connect with each other.
Something you can’t stand in a person…
Prejudice and intolerance.
The silliest thing you ever did to win a woman’s heart?
Dancing jarabe tapatío in front of everyone to get her attention.
Did it work?
Yes.
If you could choose another talent, what would it be?
Another talent?...Different from music?
Different from music…
Well… Perhaps being an athlete.
The word you use the most?
Este… I use it for everything. Este… It is something typically Mexican.
What are you afraid of?
What am I afraid of? Well… I think… loneliness.
The most important quality in a woman?
Well… she has to be self-confident.
Do you have a good luck charm?
Now that you mention it, I have had this brilliant stone since the 80s with me. I don’t know… I think I wore it for the first time the day I decided I wanted to dedicate myself to music.
Good. Your worst fault?
My worst fault? I am distracted and disorganized.
Two records you would take with you to a desert island?
Sgt. Pepper by The Beatles and The Nightfly by Donald Fagen.
Finally, your favorite vice?
You will not believe it, but it is mineral water. I drink a lot of sparkling water.
I like that. Just to finish, could you say goodbye to us with a song? One that you like… I was thinking perhaps “Intocable”, which is your most recent hit.
Yes, it has been one of my greatest hits.
Or what would you like to sing?
I’d love to sing that one. Thanks, Leyla, for this wonderful interview. I have had a great time.
Thanks to you, Aleks. It has been great.
Very good. A kiss for you.
Thanks.
Thanks. Thanks to you, too. Whenever you want to have me here again, I’ll be here.
I’d be delighted.
All right.
Yo no sé qué sucedió, nunca supe la verdad, la razón de tus motivos. Si en el juego del amor ahora soy un perdedor debo salir adelante.
Pero me voy, me marcho porque fue tu decisión, te amaré, lo haré si es necesario por los dos que aquí en mi corazón no te voy a olvidar pues de ahora en adelante intocable es tu lugar.
Debes confundida estar, terminar por terminar pero yo te lo respeto. Y lo que me pidas tú si eso te hace más feliz para mí es algo sagrado.
Pero me voy, me marcho porque fue tu decisión, te amaré, lo haré si es necesario por los dos, que aquí en mi corazón no te voy a olvidar, pues de ahora en adelante intocable es tu lugar, intocable es tu lugar.
Pero me voy, me marcho porque fue tu decisión, te amaré, lo haré si es necesario por los dos, que aquí en mi corazón no te voy a olvidar, pues de ahora en adelante intocable es tu lugar, intocable es tu lugar.
All right.
Thanks.
Thanks. See you next time…here, on Estudio Billboard.
